The first act was to create a line of force in the central nave.
As a stroke outlined with a pen, the twelve meters long installation is set up in the main perspective to give the scale, the balance to the viewer’s eye.This minimal shape reminds the back and forth movement of the string driven by the shuttle of the weaving loom.
The second intention was light, to draw up an assumed contrast with the aesthetic and the sacred dimension of the place. The third and final point was colours, chosen as an echo to the chromatic harmony of the artists works.